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- Churchill
- Offshore Islanders: A History of the English People
- The Papacy
- A History of the American People
- The Quest for God: A Personal Pilgrimage
- To Hell with Picasso and Other Essays: Selected Pieces from The Spectator
- The Holocaust
- The Quotable Paul Johnson: A Topical Compilation of His Wit, Wisdom and Satire
- Wake Up Britain – a Latter-day Pamphlet
- A History of the Jews
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- The Oxford Book Of Political Anecdotes
- Consolidated Gold Fields: A Centenary Portrait
- Modern Times: A History of the World from the 1920s to the 1980s
- The Pick of Paul Johnson
- The Birth of the Modern: World Society 1815-1830
- Pope John Paul II And The Catholic Restoration
- Ireland: A Concise History from the Twelfth Century to the Present Day
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- The Civilization of Ancient Egypt
- Enemies of Society
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- Civilizations of the Holy Land
- Pope John XXIII
- Jesus: A Biography from a Believer
- The Life and Times of Edward III
- Elizabeth I: a Study in Power and Intellect
- A Place in History: Places & Buildings Of British History
- Humorists: From Hogarth to Noel Coward
- The Highland Jaunt
- Statesmen And Nations
- Merrie England
- Socrates: A Man for Our Times
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- Journey into Chaos
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- Creators
- George Washington: The Founding Father
- The Vanished Landscape: A 1930s Childhood in the Potteries
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- The Renaissance
- Art: A New History
Creators
Paul Johnson looks at writers from Chaucer and Shakespeare to Mark Twain and T. S. Eliot, artists like Dürer, and architects such as Pugin and Viollet-le-Duc.
He explains the different ways in which Jane Austen, Madame de Stael, and George Eliot struggled to make their voices heard in the masculine hubbub. Victor Hugo allows him to ask, “Can imaginative genius coexist with low intelligence?” Johann Sebastian Bach gives him the opportunity to focus on the role of genetics in creativity and to explore the strange world of the organ loft. Louis Comfort Tiffany takes him into the technology of glass-making and the tragic vagaries of aesthetic fashion. Some essays make illuminating comparisons: of Turner with his contemporary the Japanese master Hokusai, and of the two great dress designers, Balenciaga and Dior. The final essay examines those two inventive geniuses, Picasso and Disney, and asks which had the greater influence on the visual arts of the twentieth century — and beyond.
Paul Johnson believes that creation is a mysterious business that cannot be satisfactorily analyzed. But it can be illustrated in such a way as to bring out its salient characteristics. That is the purpose of this instructive and witty book.
Reviews
“Creators is a splendidly idiosyncratic book, brooking no compromise and bristling with opinions.”
— DOMINIC SANDBROOK, EVENING STANDARD